Introducing three gold singles, the Grammy-winning album remained on the charts for more than two years. With Clayton-Thomas, the 1969 album Blood, Sweat and Tears became a blockbuster hit, the number one LP for seven straight weeks. When Kooper left Blood, Sweat and Tears Canadian rock star David Clayton-Thomas became the band ’s lead singer -his powerful rasping vocals soon became identified with the group and its subsequent commercial success. Leadership fell to Katz and Colomby new musicians joined the ranks, and this time the public proved ready for the new ensemble. Kooper decided to leave the band in favor of record producing (two other members left as well), and many feared the group would fold before it had a chance to get off the ground. Recognized as a milestone in rock music, the album nonetheless fell short of commensurate commercial success. The songs of Harry Nilsson, Randy Newman, Carole King, and others through the heavy use of brass and jazz. During major reorganization in 1972 lead singer Clayton-Thomas left he returned in 1974, became co-owner of band ’s name and catalog, and group has been billed as Blood, Sweat and Tears featuring David Clayton-Thomas since 1975.Īwards: Three Grammy Awards, including one for album of the year, 1969, for Blood, Sweat and Tears. (saxes, flute born in Charleston, SC), George Wadenius (guitar born in Sweden), and Larry Willis (keyboards born c. 1943 in Dekalb, TX), Tom Malone (trumpet, flugelhorn, trombone, saxes), Lou Marini, Jr. A former member of the 1950s pop group the Royal Teens ( “Short Shorts ”), session musician for Bob Dylan, and member of New York City ’s Blues Project, Kooper wanted to expand the scope of rock to include the more polite forms of jazz and, simultaneously, to bring jazz to a larger and more general audience.Įnvisioning a jazz-rock fusion, Kooper recruited musicians with strong jazz and rock backgrounds for his eight-ten member band: guitarist Steve Katz, for instance, was another Blues Project member drummer Bobby Colomby played for folk-blues singer Odetta bass player Jim Fielder worked with the Mothers of Invention and Buffalo Springfield and the group ’s unusually large horn section (two trumpeters, two trombonists, and a saxophonist) hailed from New York jazz and studio bands.īlood, Sweat and Tears launched its innovative sound with the album Child Is Father to the Man, reinventing For the Record …īand founded in 1968 by Bobby Colomby (drums born December 20, 1944, in New York, NY), Steve Katz (guitar, vocals born May 9, 1945, in Brooklyn, NY), and Al Kooper (keyboards, vocals born February 5, 1943, in New York) David Clayton-Thomas (lead vocals born September 13, 1941, in Surrey, England) replaced Kooper in 1969 other early members included Jim Fielder (bass born October 4, 1947, in Denton, TX), Jerry Hyman (trombone born May 19, 1947, in Brooklyn), Dick Kalligan (keyboards, trombone, flute born August 29, 1943, in Troy, NY), Fred Lipsius (alto sax, piano born November 19, 1943, in New York), Lew Soloff (trumpet, flugelhorn born February 20, 1944, in Brooklyn), and Chuck Winfield (trumpet, flugelhorn born February 5, 1943, in Monessen, PA).īand subject to frequent personnel changes later members included Dave Bargeron (trombone, tuba, trumpet born September 6, 1942, in Massachusetts), Jerry Fisher (vocals born c. In 1967 veteran musician Al Kooper began to assemble Blood, Sweat and Tears, the large blues/jazz rock band that had occupied his imagination for many years.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |